I hold a Master’s in English Literature and a First-Class Honours BA in English, bringing together intellectual depth with an approachable storytelling style. Passionate about contemporary culture and personal narratives, I craft pieces that resonate emotionally while engaging the mind. My versatility allows me to write across diverse topics, always aiming to connect with readers on multiple levels.

FRANCESCA NICOLA

The Inconvenience of Sound

Stuttering in adulthood brings unique social stigma, silent struggles, and resilience—revealing how a world obsessed with fluency often overlooks the truth in imperfect voices.
The Inconvenience of Sound

The Inconvenience of Sound

There is a particular cruelty in how society receives the imperfect voice. The stammer, the pause, the glitch in fluency, these are not merely biological events but social trespasses. In childhood, such hesitations are met with soft smiles and patient encouragement. They are seen, quaintly, as endearing misfires in the machinery of growing up. But as time progresses, the blade of expectation is sharpened, and by adulthood, the same stumble is no longer innocent. It is awkward, inconvenient, and shameful.

Stuttering, Adulthood, and the Politics of Silence

Stuttering is not rare. It is neurologically real, psychologically complex, and linguistically misunderstood. Yet its persistence into adulthood is treated as a sort of unfinished business, an error in development, a childlike trait that clings embarrassingly to grown-up skin. The world, obsessed with eloquence, has no real patience for imperfect delivery. In professional spaces, in classrooms, on dates, in job interviews- speech is currency. Hesitation, a kind of bankruptcy.

The tragedy is not the stutter itself but what it silences. Many who stammer learn, often early, the cost of trying. Why raise a hand in school when a word might refuse to come out? Why read aloud when the sentence might fracture halfway through? Why make a point in a meeting when the first syllable could betray you before the thought even lands? Why join a conversation when the topic has passed by the time you’ve rehearsed what you want to say? Why speak at all? Eventually, the silence becomes habitual. Protective. There is no failure in silence, only safety. And a voice unused becomes a voice unlived.

Fluency, when it comes, can be thrilling. There are long stretches- weeks, months, sometimes even years- when the speech feels smooth, invisible, unremarkable. The absence of interruption becomes a strange luxury, one so easily taken for granted. And then, without warning, it returns. The tongue trips, the breath locks, the rhythm breaks. The mouth forgets how to speak its own language. It is not regression; it is recurrence. Chronic, not curable.

But perhaps the most devastating dimension of adult stuttering is the quiet fear that others mistake it for something else: nervousness, dishonesty, incompetence. Speech, after all, is not merely a method of communication: it is a performance of oneself. So more often than not, to stammer is to be misread.

Language is often celebrated for what it allows us to say. But stuttering reveals what language can deny: not just expression, but dignity. A broken sentence becomes a broken impression. In a culture addicted to clarity, the faltering voice is heard as a flaw. And so the stutterer learns to measure their words, not by meaning, but by risk. They rehearse what they might need to say, not for content but for ease. Not for which truth to tell, but for which words might betray them less.

And this pressure is not limited to high-stake moments like public speaking or job interviews. It infiltrates the everyday: a passing chat with a colleague, a quick comment in a meeting, a joke told over coffee. Even the most casual conversations can carry the weight of apology. The need to continuously preface speech, to constantly explain, to always apologise- sometimes before a word has even faltered, that in itself is its own kind of exhaustion.

There is nothing inherently shameful about a stutter. What is shameful is how society receives it. Fluency is not intelligence. Hesitation is not weakness. But we live in a world where the polished voice is heard the loudest, believed the fastest, remembered the longest. A world where perfection is not just preferred but demanded.

And so, the stutterer waits.

Waits for the moment that their breath aligns. Waits for the word to obey. Waits to be heard without pity or impatience. Waits for the jaw to loosen, for the tongue to unstick. Waits for the body to stop reflexively tensing and bracing for failure. Waits for the split-second when thought and speech are finally in rhythm.
Waits to speak. Not beautifully. But freely; Not perfectly. But without apology.

And when they do speak.
When they finally do.
The voice may crack. Falter. Break.
But what it says is worth more than the silence that tried to replace it.

I hold a Master’s in English Literature and a First-Class Honours BA in English, bringing together intellectual depth with an approachable storytelling style. Passionate about contemporary culture and personal narratives, I craft pieces that resonate emotionally while engaging the mind. My versatility allows me to write across diverse topics, always aiming to connect with readers on multiple levels.

FRANCESCA NICOLA

I hold a Master’s in English Literature and a First-Class Honours BA in English, bringing together intellectual depth with an approachable storytelling style. Passionate about contemporary culture and personal narratives, I craft pieces that resonate emotionally while engaging the mind. My versatility allows me to write across diverse topics, always aiming to connect with readers on multiple levels.

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FRANCESCA NICOLA
I hold a Master’s in English Literature and a First-Class Honours BA in English, bringing together intellectual depth with an approachable storytelling style. Passionate about contemporary culture and personal narratives, I craft pieces that resonate emotionally while engaging the mind. My versatility allows me to write across diverse topics, always aiming to connect with readers on multiple levels.
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Samriti Dhatwalia
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Sindhu Gopalkrishnan
I love writing as I get to create something beautiful and touch others with my words in the process. I love the fact that I can create a whole new world, something no one else has ever seen. Writing helps me to escape reality and create new realities. At times, I also write stuff in those stories that I can never muster the courage to say in real life. It's my safe space. I can write whatever I am feeling and I can let it all out. It's also very therapeutic to me..

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